![]() ![]() ![]() In the 10-minute opus Thoroughfare, Cain believes she has found her salvation in a new lover and runs away with him. Growing up in a suffocating hometown, Cain cannot escape family generational trauma and cycles of abusive relationships. The tone of “Preacher’s Daughter” alone paints a dark story. Lines like “The neighbor’s brother came home in a box… Another red heart taken by the American dream” and “Jesus, if you’re there, why do I feel alone in this room with you?” the second track, “American Teenager,” set the stage for the rest of the project – a macabre, critical exploration of American patriotism and Christian culture. In this sprawling epic, Cain lives in a religious southern town still reeling 10 years after the death of her father – the town preacher. Indeed, Cain’s performance embodied a restorative kind of spirituality by utilizing seemingly disparate notes of horror, playfulness and, most of all, sincerity.Preacher’s Daughter can be interpreted as a narrative album set in 1991. “That was a religious experience,” a fellow concertgoer said on the way out. Whether she was singing the lyrics to one person or dancing alongside the whole crowd, Cain’s performance reminded her audience that they too can survive the circumstances placed upon them and find other people who empathize with their struggles. When Cain reached the line, “God loves you, but not enough to save you,” I couldn’t help but sing along. As a queer and nonbinary person myself, I too often feel conflicted about how much of my identity to reveal to friends and family, fearing their love may be conditional. Cain has noted in interviews that this line also references the church’s justification of bigotry and has opened up about being shunned from her religious community after coming out as gay at age 12 and transgender at age 20. In the album’s storyline, Cain narrates “Sun Bleached Flies” posthumously, referring to religion’s inability to protect Cain’s life. The crowd clamored for more, this time with an even more playful cry of “Meemaw! Meemaw! Meemaw!”įor her encore, Cain performed “Sun Bleached Flies,” the second to last track on the album. ![]() Cain also accepted gifts from the crowd, including artwork and a small felt mouse that she kept in her jean pocket for the rest of the night.Īfter performing her hit single “Crush” from her 2021 album “Inbred,” Cain left the stage. Halfway through the concert, Cain led the crowd in singing “Happy Birthday” for fellow guitarist and the concert’s opener Colyer. ![]() At the emotional climax of many of the tracks, Cain crouched down at the front of the stage and held a concertgoer’s hand, singing directly to them.Ĭain also brought in small moments of joy in between performances. By the next song on the set, “Gibson Girl,” the relationship has mutated into a hostage situation that eventually leads to Cain’s death and possible cannibalization.īut during her live performance, Cain gently guided her listeners through the album’s heavy subject matter. In the 10-minute opus “Thoroughfare,” Cain believes she’s found salvation in a new lover and runs away with him. Cain grows up in a stifling hometown and fails to escape familial generational trauma and cycles of abusive relationships. The audio of “Preacher’s Daughter” alone charts a bleak tale. Lines like “The neighbor’s brother came home in a box…Another red heart taken by the American dream” and “Jesus, if you’re there, why do I feel alone in this room with you?” in the second track, “American Teenager,” lay the framework for the rest of the project-a macabre, critical take on both American patriotism and Christian culture. In this sprawling epic, Cain resides in a religious Southern town, still reeling 10 years after the death of her father–the town preacher. “Preacher’s Daughter” can be interpreted as a narrative album set in 1991. ![]()
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